Javier Zamora
To Abuelita Neli
This is my 14th time pressing roses in fake passports
for each year I haven’t climbed marañón trees. I’m sorry
I’ve lied about where I was born. Today, this country
chose its first black president. Maybe he changes things.
I’ve told Mom I don’t want to have to choose to get married.
You understand. Abuelita, I can’t go back and return.
There’s no path to papers. I’ve got nothing left but dreams
Where I’m: the parakeet nest on the flor de fuego,
the paper boats we made when streets flooded,
or toys I buried by the foxtail ferns. ¿Do you know
the ferns I mean? The ones we planted the first birthday
without my parents. I’ll never be a citizen. I’ll never
Mark Doty
In Two Seconds: Tamir Rice 2002-2014
the boy’s face
climbed back down the twelve-year tunnel
of its becoming, a charcoal sunflower
swallowing itself. Who has eyes to see,
or ears to hear? If you could see
what happens fastest, unmaking
the human irreplaceable, a star
falling into complete gravitational
darkness from all points of itself, all this:
the held loved body into which entered
milk and music, honeying the cells of him:
who sang to him, stroked the nap
of the scalp, kissed the flesh-knot
Terisa Siagatonu
The Day After American Samoa Is Under Water
The evening news helicopters compete for the best camera angle
above the water, fighting to find anything worthy of coverage.
A floating high chief. A baby’s arm flattened by a coconut tree. Anything
Even the Titanic was enormous enough to leave remnants of itself
to buoyancy. They were a giving people. There’s gotta be something here.
Congress assembles immediately to vote on a bill that supports relief efforts
for our displaced, and our Congressman sits in his own numbing silence,
knowing that by law: he still does not have a vote that will count for anything
due to the U.S. national status of our island country, as he watches
Patrick Rosal
Typhoon Poem
The teacher can’t hear the children
over all this monsoon racket,
all the zillion spoons whacking
the rusty roofs, all the wicked tin streams
flipping full-grown bucks off their hooves.
Everywhere there used to be a river,
there’s a bigger river now. Every hard face
on the block is sopping. Even the court
where girls from St. Ignominius ran
the roughneck boys off to play
Rigoberto González
The Ghosts of Ludlow, 1914-2014
A century of silence is violence.
*
That winter a blizzard, a cold that crawled over
the Sangre de Cristo Mountains and covered
the foothills with a crust of ice.
Everything whitened into bone.
The clothesline snapped like a branch.
Danez Smith
sideshow
Have I spent too much time worrying about the boys
killing each other to pray for the ones who do it
Read more by Danez Smith:
Dinosaurs in the Hood
Tonight, in Oakland
Gregory Pardlo
Winter After the Strike
You believe,
if you cast wide enough
your net of want and will, something meaningful
will respond. Perhaps we are the response—
each a cresting echo hesitating, vibrant with the moment
before rippling back.
But you’re steadfast as Odysseus strapped to the mast, as you were
Solmaz Sharif
Theater
I dropped down against the mosque wall
curled my shoulders in
let my feet fall apart
tilting toward the rubble-dusted floor
tried to still my lashes
as rifles came clanging in
their muzzles smelling out fever
heated off a pulse
I was playing dead
Alberto Ríos
The Border: A Double Sonnet
The border is a line that birds cannot see.
The border is a beautiful piece of paper folded carelessly in half.
The border is where flint first met steel, starting a century of fires.
The border is a belt that is too tight, holding things up but making it hard to breathe.
The border is a rusted hinge that does not bend.
The border is the blood clot in the river’s vein.
The border says stop to the wind, but the wind speaks another language, and keeps going.
The border is a brand, the “Double-X” of barbed wire scarred into the skin of so
Li-Young Lee
The City in which I Love You
And when, in the city in which I love you,
even my most excellent song goes unanswered,
and I mount the scabbed streets,
the long shouts of avenues,
and tunnel sunken night in search of you…
That I negotiate fog, bituminous
rain ringing like teeth into the beggar’s tin,
or two men jackaling a third in some alley
weirdly lit by a couch on fire, that I
Gary Jackson
The Family Solid
We were barely out
of middle school
when Stuart showed me the scar—
an S branded in his brown arm.
Solid, Stuart said, fresh
from his initiation.
They held him down
in a basement, seared his skin.
He wanted another family.
Read more from Gary Jackson
Upon Seeing Spider-Man on My Way to Work
Fade
Marilyn Krysl
There is No Such Thing as the Moment of Death
I work nights, and he was awake.
When he saw me, he said, “I’m not going to
make it.” Well when they say that
they know. People can tell. You don’t
argue with an expert. I wet the cloth
Belle Waring
Twenty-Four-Week Preemie, Change of Shift
We were barely out
of middle school
when Stuart showed me the scar—
an S branded in his brown arm.
Solid, Stuart said, fresh
from his initiation.
They held him down
in a basement, seared his skin.
He wanted another family.
Dean Rader
Labor
I am 15. It is the summer
of 1982. I’m working illegally
at the Sonic Drive-In.
Weatherford, Oklahoma.
I am a car hop and as such,
Nikky Finney
The Aureole
(for E)
I stop my hand in midair.
If I touch her there everything about me will be true.
The New World discovered without pick or ax.
I will be what Brenda Jones was stoned for in 1969.
I saw it as a girl but didn’t know I was taking in myself.
My hand remembers, treading the watery room,
Frank Bidart
Queer
Lie to yourself about this and you will
forever lie about everything.
Everybody already knows everything
so you can
lie to them. That’s what they want.
But lie to yourself, what you will
Michael Chitwood
Working Graveyard
Once, at the end of his shift,
he came out
and in the first slant light
the parking lot glittered
like the one time he’d seen the sea.
The machines still roared in his-ears.
There’d been no breakdowns the whole night.
His sandwich in its brown bag
had warmed and the cheese melted a little.
He had eaten around midnight.
Cyrus Cassells
Soul Make a Path Through Shouting
Thick at the school gate are the ones
Rage has twisted
Into minotaurs, harpies
Relentlessly swift;
So you must walk past the pincers,
The swaying horns,
Sister, sister,
Straight through the gusts
Of fear and fury,
Straight through;
Mark Naison
To Those Who Blame Schools for Poverty
I watched the flower of Bronx youth be shipped off to Vietnam,
some returned, some didn’t, and some who returned were never the same
The public schools stayed open
I saw the Bronx burn from the 4 train and the 3rd Avenue El
when I first started teaching at Fordham
The public schools stayed open
Martin Espada
Who Burns for the Perfection of Paper
At sixteen, I worked after high school hours
at a printing plant
that manufactured legal pads:
Yellow paper
stacked seven feet high
and leaning
as I slipped cardboard
between the pages,
then brushed red glue
Elana Bell
On a Hilltop at the Nassar Farm
This is for Amal, whose name means hope,
who thinks of each tree she’s planted like a child,
whose family has lived in the same place
for a hundred years, and when I say place
I mean this exact patch of land…
Read more by Elana Bell
Letter to Jerusalem
There Are Things This Poem Would Rather Not Say
Wesley McNair
Goodbye to the Old Life
Dorianne Laux
Juneau Spring
In Alaska I slept in a bed on stilts, one arm
pressed against the ice-feathered window,
the heat on high, sweat darkening the collar
of my cotton thermals. I worked hard to buy that bed,
walked toward it when the men in the booths
were finished crushing hundred dollar bills
Natasha Trethewey
Three Poems by Natasha Trethewey
Kitchen Maid with Supper at Emmaus, or The Mulata
—after the painting by Diego Velàzquez, ca. 1619
She is the vessels on the table before her: the copper pot tipped toward us, the white pitcher clutched in her hand, the black one edged in red and upside down. Bent over, she is the mortar and the pestle at rest in the mortar—still angled in its posture of use. She is the stack of bowls and the bulb of garlic beside it, the basket hung by a nail on the wall and the white cloth bundled in it, the rag in the foreground recalling her hand. She’s the stain on the wall the size of her shadow— the color of blood,
Ishle Yi Park
Poetry
Railroad
By Ishle Yi Park
One day I will write a poem
about my father as a mountain,
and there will be no shame for the dynamite
and the blasted hole, the pickaxes and steam drills
paving their own resolute path,
for the railroad ploughed through his core,
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