Poetry and Arts

Notch

I came into the shop quietly.
With the bright sun outside,
it was like entering a cave.
He called it a shop—
table saw, wood plane,
two walls hung with tools.
Women didn’t come in here.

His back was to me,
something broken on the workbench.
He was singing, almost a croaking,
old frog-throat gear screaking
something something Red River Valley.
He swayed a little who never danced,
the man who was model of how to be a man.
I backed out into the blinding sun
and never told him I heard him sing.

 

Reprinted with permission from Living Wages (Tupelo Press, 2014). Copyright 2014 by Michael Chitwood.

Michael Chitwood

Poet and essayist Michael Chitwood earned a BA from Emory & Henry College and an MFA from the University of Virginia. In his work, Chitwood explores the Appalachian landscape of his youth and frequently draws on colloquial speech and themes. His many collections of poetry include Salt Works (1992), Whet (1995), The Weave Room (1998), Gospel Road Going (2002), which won the Roanoke-Chowan Prize for Poetry, From Whence (2007), Spill (2007), and Poor-Mouth Jubilee (2010). His collections of essays include Hitting Below the Bible Belt: Baptist Voodoo, Blood Kin, Grandma's Teeth, and Other Stories from the South (1998) and Finishing Touches (2006). A freelance writer, Chitwood is also a lecturer in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill.