Poetry and Arts

Working Graveyard

Once, at the end of his shift,
he came out
and in the first slant light
the parking lot glittered
like the one time he’d seen the sea.
The machines still roared in his-ears.
There’d been no breakdowns the whole night.
His sandwich in its brown bag
had warmed and the cheese melted a little.
He had eaten around midnight.
For some reason that night
the aisles between the looms,
had seemed church-like
and his shift-mates like ushers
taking up the collection.
And now the morning sun
sprang off the asphalt
and he had the morning to putter
and then the afternoon to sleep.
People were leaving the parking lot,
breaking up the group slowly,
the way you do at the end of a service.

 

Reprinted with permission from Living Wages (Tupelo Press, 2014). Copyright 2014 by Michael Chitwood.

Michael Chitwood

Poet and essayist Michael Chitwood earned a BA from Emory & Henry College and an MFA from the University of Virginia. In his work, Chitwood explores the Appalachian landscape of his youth and frequently draws on colloquial speech and themes. His many collections of poetry include Salt Works (1992), Whet (1995), The Weave Room (1998), Gospel Road Going (2002), which won the Roanoke-Chowan Prize for Poetry, From Whence (2007), Spill (2007), and Poor-Mouth Jubilee (2010). His collections of essays include Hitting Below the Bible Belt: Baptist Voodoo, Blood Kin, Grandma's Teeth, and Other Stories from the South (1998) and Finishing Touches (2006). A freelance writer, Chitwood is also a lecturer in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill.